3D motion-design studio — est. 2019, Copenhagen & Los Angeles
We treat light as a material. Weight, refraction, and time —
composed into films and real-time systems for brands that move.
Logo behaviours, not logo animations. We define how an identity accelerates, settles, refracts and rests — a physics the brand obeys everywhere it appears, from a two-second sting to a stadium screen.
Macro-optical studies of objects that deserve them. Caustics traced by hand, materials pushed past photoreal into the believable-impossible. If your product has mass, we will give it light.
Shaders shipped to production. Installations, configurators and web experiences that render at the frame rate of attention — sixty images a second, none of them wasted.
Type set in space, not on a page. Kinetic specimens, variable-font choreography, letterforms that catch highlights like machined metal. Language, given a surface.
“A lens company whose logo behaves like a lens.”
For a heritage lens maker entering cinema glass, we built an identity that literally refracts: the wordmark passes through a simulated element and disperses into its brand spectrum. Forty-one deliverables, one optical law.
A subwoofer filmed like a planet. We treated 40 Hz as terrain — pressure waves deformed a chrome fluid in slow motion, lit by a single travelling source. The launch film ran silent for its first nineteen seconds; pre-orders sold out in six hours.
| Runtime | 01:12 |
|---|---|
| Frame rate | 96 fps, conformed to 24 |
| Sim cache | 11.8 TB fluid |
| Light sources | One. That was the point. |
Visitors walked through a corridor of projected glass that did not exist. Twelve metres of raymarched refraction, rendered live at 120 Hz, bending around each body that passed — a prism with manners.
The entire installation ran on two consumer GPUs. Constraint was the medium: every effect had to survive a frame budget of 8.3 milliseconds, and the ones that didn’t weren’t good enough anyway.
Light is not an effect. It is the subject.
Mass is not geometry. It is patience — the frame or two an object takes to admit it has weight.
We do not add glow. We remove everything that isn’t glowing for a reason.
Every render is a negotiation between a photon and a deadline. The photon wins.
Edges tell the truth about materials. We design the grazing angle before the beauty shot.
Complexity is added only when a single source has been exhausted.
If it can’t hold 60, it isn’t finished. Performance is part of the art direction.
We take on six projects a year. Tell us what your object weighs,
and what it should feel like when the light finds it.