Meridian
Obsidian dial · bronze indices · 38 mm
CHF 42,000
Manufacture d'horlogerie — Est. 1887
The dial above is not a photograph. It is a living instrument,
drawn and driven in real time — as every Chronolith is.
In 1887, Elias Voss carried a broken marine chronometer across the Jura on foot, convinced that a watch should be built the way a bridge is built — to outlive its maker. Chronolith still assembles eleven watches a year. Not because we cannot make more. Because we will not.
01 — The Movement
Free-sprung, 21,600 beats per hour. Your scroll is its mainspring — every pixel you travel is stored and released as six beats of regulated time.
Two synthetic rubies lock and release the escape wheel. The tick you hear in a Chronolith is this jewel striking steel — 172 million times a year.
Fifteen teeth, each ground to a two-micron tolerance. It is permitted to advance only when the balance says so. Power, held in obedience.
02 — The Collection
Obsidian dial · bronze indices · 38 mm
CHF 42,000
Bone-porcelain dial · steel · 36 mm
CHF 38,500
Smoked umber dial · gold track · 40 mm
CHF 51,000
Each dial rendered live. Tilt with your pointer.
03 — The Atelier
Plates and bridges are cut from German silver, then set aside to rest. Metal, like wood, has memory; we let it forget the mill.
Côtes de Genève, drawn by hand against a boxwood peg. An hour per bridge. No two movements carry the same stripes.
One watchmaker assembles, times and disassembles the movement three times before it is cased. Their initials are engraved under the balance cock.
Thirty days on the wrist of its maker, in six positions, through two mountain walks. Only then is it yours.
04 — Private fitting
Fittings are held in Geneva, London and Kyoto, by appointment only. A deposit is not required; patience is.